Answering back

Great article in the NYT by Katherine Seelye on the way the internet is changing the relationships between sources and journalists, between the writers and those being written about. It is a great article because it does what good journalism does, it provides a range of points of view while still being pointed in its analysis. It begins with a fairly bland analysis of the phenomenon:

Unhappy subjects discovered a decade ago that they could use their Web sites to correct the record or deconstruct articles to expose what they perceived as a journalist’s bias or wrongheaded narration.

But now they are going a step further. Subjects of newspaper articles and news broadcasts now fight back with the same methods reporters use to generate articles and broadcasts – taping interviews, gathering e-mail exchanges, taking notes on phone conversations – and publish them on their own Web sites. This new weapon in the media wars is shifting the center of gravity in the way that news is gathered and presented, and it carries implications for the future of journalism.

Too many journalists would have left it at that and this would have been one of the many articles that concentrate on the mechanistic ways blogs and the internet are influencing journalism. But Seelye goes further:

The printing of transcripts, e-mail messages and conversations, and the ability to pull up information from search engines like Google, have empowered those whom Jay Rosen, a blogger and journalism professor at New York University, calls “the people formerly known as the audience.”

“In this new world, the audience and sources are publishers,” Mr. Rosen said. “They are now saying to journalists, ‘We are producers, too. So the interview lies midpoint between us. You produce things from it, and we do, too.’ From now on, in a potentially hostile interview situation, this will be the norm.”

These processes are changing both journalism paradigms and journalism practices.

Journalists now realise that they have to be extra careful in their transactions with sources and some programs are posting their own full transcripts. It is also changing formal public relations practices with businesses incorporating blogs into their publicity strategies. But the revenge of the source is not just a utopic story about reform and empowerment.

Danny Schechter, executive editor of MediaChannel.org and a former producer at ABC News and CNN, said that while the active participation by so many readers was healthy for democracy and journalism, it had allowed partisanship to mask itself as media criticism and had given rise to a new level of vitriol.

“It’s now O.K. to demonize the messenger,” he said. “This has led to a very uncivil discourse in which it seems to be O.K. to shout down, discredit, delegitimize and denigrate the people who are reporting stories and to pick at their methodology and ascribe motives to them that are often unfair.”

Seelye gives one example where a creationist group used these techniques to dispute a Nightline piece on intelligent design.

Ultimately this process is part of the broader push towards “transparency” in news media:

Reporters say that these developments are forcing them to change how they do their jobs; some are asking themselves if they can justify how they are filtering information. “We’ve got to be more transparent about the news-gathering process,” said Craig Crawford, a columnist for Congressional Quarterly and author of “Attack the Messenger: How Politicians Turn You Against the Media.” “We’ve pretended to be like priests turning water to wine, like it’s a secret process. Those days are gone.”

Some news outlets are posting transcripts of their interviews with newsmakers, and some reporters are posting their own material. Stephen Baker, a senior writer at BusinessWeek, has posted not only transcripts from his interviews but also his own notes on his Web site, saying he likes to involve his readers in the journalistic process.

“Sometimes I say to my readers, Here’s my interview. What story would you have written?” said Mr. Baker, who writes about technology. Journalism, he added, used to be a clear-cut “before and after process,” much like making a meal; the cooking was done privately in the kitchen and then the meal was served. Now, he said, “every aspect of it is scrutinized.”

One of the difficulties with this is that it is forcing a simultaneous public and professional reevaluation of news gathering processes. But it is difficult and confusing to suddenly have a public conversation about news when so much of what journalists take for granted as routine story formation is seen as a quasi alchemical process by much of the public. We have sold the myth of objectivity for so long that it has become common wisdom: whereas once upon a time this provided a protective shield it is now being used as a weapon against us.

It’s classic blowback.

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Student’s grow-up with blogs

Dennis Jerz‘ blogging project at Seton Hill is the subject of a good profile in the Pitsburg Post Gazette, which he gleefully pointed out to Kairos readers.

The anecdotal piece raises a number of key issues about blogging and higher education. The headline “Freedom of speech redefined by blogs: Words travel faster, stay around longer in the blogosphere” tells you that this isn’t going to be the standard media blog bust. The anecdotes in this article actually sum up some of the key points any introduction to blogging in higher education might like to make:

1. Student blogging can lead to dialogue with the wider academic sphere:

Jessica Prokop thought the textbook for her class at Seton Hill University was biased and that its author “seems like a bitter man.” In the annals of student rants, nothing extraordinary there.

Except she didn’t just blurt out those words in her journalism class. She blogged them. Soon, the author himself was responding all the way from England, pledging to re-examine an upcoming edition given her critique.

2. Students move from being users to being co-creators of the internet

Students find that their musings on topics from Plato to video games have been discovered by a parent back home who typed their name into a search engine such as Google. Or they’ll discover their homework was incorporated hundreds of miles away into a stranger’s Internet research.

“In another generation, these students would have simply been users of a computer,” Dr. Jerz said. “Now, they are co-creators of the Internet.”

That is both good and bad.

“I remind students that their blogs are public,” he said. “Someday, they’ll be in a job applicant pool, and a potential employer will run their name through Google, and the angry ranting Web log they wrote at age 17 will turn up.”

3. Problems can become “teachable moments” with real world grit, even though boundaries have to be found and enforced

The piece details a number of students who have been suspended at other universities for posting harmful or defamatory posts about staff, students or minority groups. But these instances can become “teachable moments”:

Those cases, and others like them, illustrate the importance of what some say is an emerging campus trend: Faculty are discussing with their students how the medium is transforming free speech.

“It’s a substantial change in how we engage in discourse, especially in this country,” said Alex Halavais, an official with the Association of Internet Researchers who teaches at the University at Buffalo, part of The State University of New York. “As such, I think universities have a duty in some ways to provide students with the tools they need to better participate in that discourse.”…

[Amy Eisman, director of writing programs with the school of communication at American University] said students were more likely to discover boundaries themselves, sometimes by a rough experience.

4. Students learn to be bloggers and this learning experience can help them position themselves as adults within the public sphere:

Jason Pugh, 20, a junior from West Mifflin, said he’d watched the level of discourse rise as freshmen come to campus and see how upperclassmen build reasoned arguments. “There’s a difference between just saying, ‘You’re wrong,’ and saying, ‘I disagree because of point one and point two,’ ” he said.

He views his own blogs as a far cry from the all-opinion rants of his freshman year. “I’ve learned to do better research, so I don’t sound like I’m someone angry at the world.”

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Blog as place and genre

Excellent piece in Kairos on “Blogging Places”. Tim Lindgren explores a range of new place blogs that are primarily concerned with locality and ecology as distinct from the global or purely personal approach of much of the blogsphere.

Some unrepresentative cherry picks:

On blogging genres:

Carolyn Miller and Dawn Shepherd suggest, blogging is remarkable for its ability to adapt to particular rhetorical exigencies, such that “already it may no longer be accurate to think of the blog as a single genre.” In other words, it now may be less meaningful to discuss blogging in general than to examine distinct varieties of the genre such as war blogging, political blogging, academic blogging, or—for the purposes of this study—place blogging. Rather than treating place blogging as a genre of its own (or even as a subgenre), this study will primarily examine it as an adaptation, or perhaps more precisely, a localization of blogging with both generic and geographic qualities….

Anis Bawarshi’s manner of describing genre seems particularly apt in this context: in his words, a genre is “both a habit and a habitat—the conceptual habitat within which individuals perceive and experience a particular environment as well as the rhetorical habit by a through which they function within that environment” (84). In Genre and the Invention of the Writer, Bawarshi suggests that writing is by nature a form of inhabitation: “Writing takes place. It takes place socially and rhetorically. To write is to position oneself within genres–to assume and enact certain situated commitments, identities, relations, and practices” (14). Moreover, a genre possesses “ecological” qualities that enable it to “coordinate a symbiotic relationship between social habitats and rhetorical habitats” (82).

On Journalism and place blogging

The journalistic ancestry of blogging is apparent in local blogs like Simon’s Living in Dryden in which he documents the political and community life in his area of upstate New York: “At this point it’s clear that there’s more than enough going on in Dryden for stories every day. There is an incredible amount happening here, and only a fraction of it can make the paper” (“Six Months”). Simon provides an independent source of news to supplement the conventional print sources, and it is clear throughout that this role as an independent journalist is a local one—he writes as a local for a local audience. For this reason, his blog tends to serve as a growing archive of the local knowledge he considers important for responsible civic engagement in the community.

On blogging as rhetorical place

For Nicholas Burbules, the web is a “rhetorical place” rather than a “rhetorical space” because a place is “a socially or subjectively meaningful space.” In his formulation, this place has 1) “navigational and the semantic elements” such as an “objective, locational dimension: people can look for a place, find it, move within it” and a 2) “semantic dimension: it means something important to a person or group of people, and this latter dimension may or may not be communicable to others.” (78) In his mind, space “does not capture the distinctive way in which users try to make the Web familiar, to make it their space–to make it a place.” By contrast, “calling the Web a rhetorical place suggests…that it is where users come to find and make meanings, individual and collectively ” (78).

In his typification of “place blogs” Lindgren extends Miller and Shepherd’s genre analysis of blogs. Miller and Shepherd talk about the “ancestral genres” of blogs and a process they call “speciation”:

Because blogs appeared so suddenly and so recently, and because evidence about them and those who use them is so available, we have an unusual opportunity to study the evolution of a genre. In this case we can examine what the evolutionary biologist would call speciation, the development of a new genre, rather than the process of adaptative transformation,.. Jamieson’s work on early presidential oratory (1973, 1975) and Miller’s study of the Environmental Impact Statement (1984) did examine the creation of new genres, the first as precedent-setting responses to unprecedented situations, the second as a rhetorically unsuccessful but legally mandated response to a situation defined by“or brought into being by” Congress. One important way to study the rhetorical innovation of a new genre, Jamieson argued, is to look for the “chromosomal imprint of ancestral genres” (Jamieson, 1973); for example, the presidential inaugural can be fully understood as a genre only by seeing in it the imprint of the sermon (Jamieson, 1973), and the State of the Union address can be understood only by seeing it as a successor to the King’s Speech to Parliament (Jamieson, 1975). These ancestral genres should be considered part of the rhetorical situation to which the rhetor responds, constraining the perception and definition of the situation and its decorum for both the rhetor and the audience.

Lindgren uses Bolter and Grusin’s term “remediation” to describe this process. He sumarises Miller and Shepherd’s ancestral forms:

  • genres of political journalism: pamphlet or broadside, the editorial, and the opinion column.
  • personal genres: journal and the diary, along with the newer electronic genres of the home page and the webcam
  • genres of collecting and organizing information: clipping service or media monitoring service, commonplace book

He then ads to this list the specific ancestral genres of place blogs:

Personal Essays

When Chris from Bowen Island Journal describes place blogs as “collections of stories of the writer’s engagement with a place, including the land and culture of a place,” he points to the influence of the essay tradition….

Travel Writing

Traveling often enables a writer to step outside of her routine and perceive a place with new eyes, to see what appears to be natural or inevitable as something constructed…..

Ethnography and Journalism

If place blogging exhibits ancestral ties to the nature writer’s log or the field notebook, it also shares affinities with the notebook of the ethnographer or journalist.

Such a classification is very useful for thinking about many different forms of blogs and provides a useful way of inviting students to do a range of different writing within the blogging environment.

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Learning to become

Another fine paper from Ulises Mejias: A Nomad’s Guide to Learning and Social Software. (Thanks to Will Richardson for the link) His insights on the cultural working out of social software technology is as astute as usual and his framework is superb:

At a more fundamental level, models of learning based on social software can facilitate the shift from what Brown and Duguid (2000) call learning about to learning to be, or to give a more Deleuzian connotation, to learning as becoming. Learning about implies a passive consumption of knowledge in the form of facts. Learning to be implies the application of knowledge in the development of skills that allows us to fulfill a particular (professional or non-professional) role in society. But to highlight the fact that being is not static, I’m using learning as becoming to signify an ongoing process. Learning, as constant becoming, is the work of nomads, to use another Deleuzian image explained below by Semetsky (2004):

“Nomads must continuously readapt themselves to the open-ended world in which even the line of horizon may be affected by the changing conditions of wind, shifting sands or storms so that no single rule of knowing that [learning about] would ever assist nomads in their navigations, perhaps only knowing how [learning to be, or learning as becoming] would” (Semetsky 2004:447, italics in original; my additions in brackets).

Semetsky continues by quoting Casey. ‘The local operations of relay must be oriented by the discovery (and often continual rediscovery) of direction (Casey 1997:306)’. Becoming, as this continual rediscovery of direction, takes place in relation to the world and to others. What social software can do is to help us re-situate learning in an open-ended social context, providing opportunities for moving beyond the mere accessing of content (learning about) to the social application of knowledge in a constant process of re-orientation (learning as becoming).

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Bush’s photo-ops

Bush is being criticised for not acting fast enough and for a lack luster, even humorous, speech when he first addressed the plight of New Orleans. The New York Times has become increasingly strident in its editorials over the last few days:

George W. Bush gave one of the worst speeches of his life yesterday, especially given the level of national distress and the need for words of consolation and wisdom. In what seems to be a ritual in this administration, the president appeared a day later than he was needed. He then read an address of a quality more appropriate for an Arbor Day celebration: a long laundry list of pounds of ice, generators and blankets delivered to the stricken Gulf Coast. He advised the public that anybody who wanted to help should send cash, grinned, and promised that everything would work out in the end.

Bush doesn’t seem to have either a natural sense of compassion or even a natural political instinct on these occasions when symbolic leadership is most needed. Either Clinton or Reagan would have acted immediately and made us feel that they were involved personally and politically with the crisis. This symbolic act of the leader is of such importance and has real impact on the course of actual events by creating a buoyant atmosphere for recovery. But there is a difference between a genuine act of symbolic leadership, which requires engagement, reflection and action and a staged media event. Increasingly it is difficult for both politicians and the public to distinguish between the two.

A story has just emerged about how deliberately the Bush team stage managed the tour of the crisis zone. Louisiana Senator Mary Landrieu has just released a statement:

“But perhaps the greatest disappointment stands at the breached 17th Street levee. Touring this critical site yesterday with the President, I saw what I believed to be a real and significant effort to get a handle on a major cause of this catastrophe. Flying over this critical spot again this morning, less than 24 hours later, it became apparent that yesterday we witnessed a hastily prepared stage set for a Presidential photo opportunity; and the desperately needed resources we saw were this morning reduced to a single, lonely piece of equipment. The good and decent people of southeast Louisiana and the Gulf Coast – black and white, rich and poor, young and old – deserve far better from their national government.

This has been reported by the wires and some blogs but doesn’t appear to have been picked up by the mainstream press yet.

It is confirmed by at least one report from a viewer of a German news service who says the German account of Bush’s tour differed markedly from the CNN account:

There was a striking dicrepancy between the CNN International report on the Bush visit to the New Orleans disaster zone, yesterday, and reports of the same event by German TV.

ZDF News reported that the president’s visit was a completely staged event. Their crew witnessed how the open air food distribution point Bush visited in front of the cameras was torn down immediately after the president and the herd of ‘news people’ had left and that others which were allegedly being set up were abandoned at the same time.

The people in the area were once again left to fend for themselves, said ZDF.

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Blame the gays

The floods in New Orleans has given rise to the usual discourse of balme from predictable quarters. Repent America director Michael Marcavage:

“Just days before ”Southern Decadence“, an annual homosexual celebration attracting tens of thousands of people to the French Quarters section of New Orleans, Hurricane Katrina destroys the city….

”Although the loss of lives is deeply saddening, this act of God destroyed a wicked city…New Orleans was a city that had its doors wide open to the public celebration of sin. From the devastation may a city full of righteousness emerge.“

What is interesting about this release is that it is not just attacking the usual suspects it is explicitly holding the whole city to blame for their permissivness in allowing these events to occur. He ends on a note of psuedo-compassion:

”We must help and pray for those ravaged by this disaster, but let us not forget that the citizens of New Orleans tolerated and welcomed the wickedness in their city for so long. May this act of God cause us all to think about what we tolerate in our city limits, and bring us trembling before the throne of Almighty God.“

The symbolic violence implicit in this kind of discourse is the same as the will to violence in Governor Blanco’s invocation of the troops ability and willingness to kill. Jeff Sharlet reports:

Three hundred troops directly from Iraq have landed in the city, and ”they have M-16s, and they’re locked and loaded,“ blusters Louisiana Governor Blanco. ”These troops know how to shoot and kill, and they are more than willing to do so if necessary, and I expect they will.“

As Sharlet also suggests on this occasion there are indeed people to blame or at least people that must be held accountable for their ”stewardship“. This whole violent erruption is undergirded by the historic and willful refusal of government and corporate powers to address the saftey of the people of New Orleans. This refusal is in itself an act of violence by the US government on its own people and has also been linked by a number of commentators to funding cuts that are the direct result of the cost of Bush’s militarised war on terror.

This event is not about the violence of God it is about the interlocking violence of man – male pronoun used deliberately because this is masculinist violence no matter the gender of the perpetrator – obvious at so many levels. It is indeed a call to righteousness but not of the type Marcavage imagines.

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News, Community Service and TV drama

Monday’s episode of 24 began with a casually dressed Kiefer Sutherland and a message for viewers:

“Hi. My name is Kiefer Sutherland. And I play counter-terrorist agent Jack Bauer on Fox’s ‘24’. I would like to take a moment to talk to you about something that I think is very important. Now while terrorism is obviously one of the most critical challenges facing our nation and the world, it is important to recognize that the American Muslim community stands firmly beside their fellow Americans in denouncing and resisting all forms of terrorism. So in watching 24, please, bear that in mind.”

The episode continued the story line of an American Muslim sleeper cell who had been planning a massive attack on the nation’s nuclear power plants for years. One of the focuses of the episode was the attempt by one of the lead terrorists to find and kill his fifteen year old son who had begun to have cold feet. He says to his distraught wife: “We can allow nothing to interfere with what we have worked for. We will have time to mourn later.”

The episode was as usual punctuated with ads for the news, which concerned terrorism. This connection to wold events was firmly made with the extended “news break” that was shown at the end of the program. The lead items included: the arrest of one of the London bombers and discussion of his statements that the second attacks were only meant to scare, this was disputed by a legal expert who speculated that this was only a ploy to establish a good story for court. This was followed without a break about the case of a local muslim Qantas baggage handler who was being tried for terrorist links, he was shown handcuffed and in arabic garb. Next we were told that PM JH had contested the assertion of those on trial for the bombing of the Australian embassy in Jakarta that the attack was payback for Australian involvement with Iraq.

Where as 24 presents its transitions between the simultaneous events being narrated with breakout frames and multiple screens, the news coverage of these three events was presented with a continuous stream of images and voice over and only verbal transitions such as: “In London/In a sydney court/in Indonesia”. One of the effects of this breathless presentation is to collapse the events into a single narrative and the narrative is not about possible motivations or the events themselves it is about the overarching story line of “Muslim Terrorists”.

The news then segued into another program: Threat Matrix, also about an elite counter-terrorism unit and in one of the early ad breaks Kiefer Sutherland was again urging us not to stereotype Muslims.

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The Bush language program of mass distraction

NYT’s Frank Rich has another great column. This time he looks at some of the issues surrounding the Plame affair. He concludes that the real scandal is the war:

The real crime here remains the sending of American men and women to Iraq on fictitious grounds. Without it, there wouldn’t have been a third-rate smear campaign against an obscure diplomat, a bungled cover-up and a scandal that – like the war itself – has no exit strategy that will not inflict pain.

But what most struck me was his pithy summary of Bush’s changing language to describe the war and its aftermath:

On May 1, 2003, Mr. Bush celebrated “Mission Accomplished.” On May 29, Mr. Bush announced that “we found the weapons of mass destruction.” On July 2, as attacks increased on American troops, Mr. Bush dared the insurgents to “bring ’em on.” But the mission was not accomplished, the weapons were not found and the enemy kept bringing ’em on. It was against this backdrop of mounting desperation on July 6 that Mr. Wilson went public with his incriminating claim that the most potent argument for the war in the first place, the administration’s repeated intimations of nuclear Armageddon, involved twisted intelligence.

Mr. Wilson’s charge had such force that just three days after its publication, Mr. Bush radically revised his language about W.M.D.’s. Saddam no longer had W.M.D.’s; he had a W.M.D. “program.” Right after that George Tenet suddenly decided to release a Friday-evening statement saying that the 16 errant words about African uranium “should never have been included” in the January 2003 State of the Union address – even though those 16 words could and should have been retracted months earlier. By the next State of the Union, in January 2004, Mr. Bush would retreat completely, talking not about finding W.M.D.’s or even W.M.D. programs, but about “weapons of mass destruction-related program activities.”

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24 Season 4

Jack Audrey Heller Driscoll

The synergy between news and entertainment was apparent in the Australian premiere of season 4 of 24 tonight.

The first episode begins with a train bombed and derailed by terrorists, then, cross to the first ad break: a news update which leads with the latest on the London subway bombing.

The double episode ended with the usual promo for next week with the announcer urging us to tune in to see “what lengths the terrorists will go to”. After the credits Seven led into an extended news update which included footage of London’s mayor Ken Livingston catching a train and a “back-to-work-we-wont-let-them-win” theme.

The dialectic between the visceral build up of tension produced by the “live” structure of 24 and its hero’s inevitable triumph is mirrored in the contrasting message of terror and hope embodied in a grim-faced Livingston boarding a train. Although 24 plays the traditional hero myth it also re-wrote the rules of this serial genre by allowing the death of key figures such as Jack’s wife in series one. We know that Jack will win but we can no longer be sure at what cost.

Similarly the news is constantly telling us that “we” will win even though we can no longer be sure “what lengths the terrorists will go to”.

Other news included John Howard’s denial that Britain was preparing a withdrawal from Iraq which would necessitate Australia sending more troops but a confirmation that Australia would be sending further troops to Afghanistan. This reminder of the nexus between Australian, British and US military operations highlighted the “reality” of the 24 terrorists claim that this was an “us” (muslim) against “you” (western nations) battle.

In this new world the best we can do is get up and get back on the train. Just like Livingston. Just like Jack.

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War of the Worlds

With the Australian media preview of War of the Worlds last night SMH film writer Gary Maddox has an intriguing little piece in today’s paper. It’s not really a review, it’s not really a comment piece, it’s a short reflection on post 9/11 culture and the new film:

Panicking crowds fleeing down streets. Buildings collapsing. A coat of grey dust on Tom Cruise’s face. A crashed passenger jet. And the first thought when the explosions and killing starts: is it a terrorist attack?….

Other War of the Worlds adaptations tapped into fears about Nazis and the Soviets. While remembering the past, Spielberg has tapped into the new fears about terrorist attacks.

The strength of the movie is the resonances with other wars on humanity, including the Holocaust and Hiroshima. Spielberg is reminding us there have been many threats over the generations, but humanity can survive.

It’s not the first time this connection has been made. In fact Spielberg has been drawing people’s attention to it in many of his publicity interviews. He seems most articulate in this interview with the Chicago Sun Times:

“In my mind, there is that image of everyone fleeing from Manhattan across the bridge after the Sept. 11 attack,” Spielberg says. “That’s a searing image that will never leave our minds.

”This movie is also about people being attacked for no reason. They don’t know why they’re being attacked. We certainly went to great lengths in the movie not to explain any reason for these attackers.“

His screen writer David Koepp says in the same piece that although the reference was explicit they worked hard to make sure the politics were not:

”Certainly, there are a lot of political undertones and overtones,“ Koepp says. ”But we tried consciously to never lead with the politics. That’s a guaranteed way to make a piece of crap.

“The political tones of this movie will emerge for themselves. In the ’50s, ‘War of the Worlds’ was, ‘My God, the commies are coming to get us.’ Now it’s about fear of terrorism. In other parts of the world, the new movie will be fear of American invasion. It will be clearly about the Iraq war for them,” says the screenwriter.

Koepp and Spielberg also makes some interesting comments about the visual and plotting choices that were made:

Spielberg was clear about what film he wanted to make with “War of the Worlds” and what film he refused to do. The rules included: No U.S. landmarks in flames, no beating up on New York City, and no politicians, scientists or generals leading the way to victory. There would also be no shots of world capitals.

There could be airplanes crashing into houses, alien tripods sending a ferry boat the way of the Titanic and dead bodies floating sadly down a river and seen through the eyes of a child (Fanning), who comes across the horrifying site in the woods.

I’ll wait to see how successfully he avoided some of those easy cliches – or rather if he did what others he replaced them with – the frustrating thing about Spielberg is that he is a bleeding heart liberal with an overtly American mythical view of family and nation. His rule about no generals/scientists leading the way to victory will undoubtedly be matched by a parable about the heroic little guy protecting his family. Of course neither point of view really comes to terms with the complex issues of individual and communal agency in the face of disaster.

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